I guess I’m pondering this more as I’m doing final edits for Finn and knowing that after these are done, he’ll be going out to reviewers and OTHER PEOPLE will be reading my book!! People who might think he’s a total douche and don’t get why he should be with my heroine.

As well as being totally freaked out by this, I’m also kind of sanguine because hey, not everyone is going to like your books or your characters. But that being said, I’m interested to know what pushes people’s buttons when it comes to a hero.

Myself, I’m very forgiving of heroes.  If the motivation is there, he can get away with anything basically and I hate it when writers water their heroes down in the name of political correctness or because they’re trying to make him overly sympathetic. If he’s angry, I want to be shown his anger and if he’s angry with the heroine then so be it. Because why should heroines be the only ones who are allowed to get angry? Male anger is just as valid as female anger. Emotions like that, the ‘flawed’ emotions, also make them more real. Because I don’t want to read a book about perfect people. Perfect people are boring. Political correctness is boring. Too sympathetic is boring.

I read a Presents a week or so ago and some of the reviews on the M&B site said that the hero was awful and some said the hero was awesome. So I bought the book to see what it was about the hero that polarised people, and well, now having read it, I can see why. He was wonderfully, gloriously arrogant and selfish and some of the things he said made me laugh because they were SO outrageous. I thought he was adorable because he’d totally embraced his selfishness and was out and proud about it. I loved it from a writer’s perspective because the author did not pull back on him and I loved it from a reader’s perspective because I could see how completely he was deluding himself.. You know he’s going to fall HARD. In fact, for me, the more arrogant and jerky the hero, the more I love it simply because of that payoff.

And I suppose that’s the rub for me. If there is no payoff, if he doesn’t fall hard, if he doesn’t grovel, then that’s where he crosses my line into douche-land.

So, I guess that’s what I’d like to know – what puts the a in a-hole for you when it comes to heroes?

Maybe you don’t find that thrilling but I do. And I admire an author who manages to pull off the b*stard and yet make him believable and sympathetic. I think it’s a very fine line and probably depends a lot on the reader. One woman’s hot button is another’s ‘whatever’.

Anyway, I’m writing this post because of my chess player. He is, to be blunt, a b*stard. And he’s a b*stard to write as well because his character is very black and white (imagery!), not to mention screwed up. He does things where I have that ‘I can’t believe you just did that’ moment. And for the past few iterations of this ms, I have been trying to pull back on him because…well…I’m afraid. I don’t want him to go there because it’s not ‘heroic’ or sympathetic. And yet every time I stop him the ms goes haywire because he’s not acting in character.

So eventually I decided to let him have his head and it’s made for a very interesting ms. Especially the end, where I broke him down totally and I finally figured out why he acts the way he does. And that, I have to say, was another ‘I can’t believe you did that’! moment. Yes, the b*stard was holding out on me and only revealed his true infamy in the last chapter and it’s something that I need to consider whether to pull back or let be. I’m hoping I can pull it off. Only time will tell.

But the interesting thing has been figuring out how I can pull off a good b*stard without making him too unsympathetic and here are a few things that I reckon you need to make your b*stard hero work (as always, take with a grain of salt because, y’know, unpublished etc).

1. Motivation – you MUST have good motivation for him to do the things he does. Just because he’s angry and he’s an alpha doesn’t work. Because deep down he’s a decent guy – he has to be, he’s the hero. So there has to be a very good reason for why he doesn’t act like a decent guy at times. We may not like what he does, but if we understand it,we’re more likely to forgive him.

2. Show some humanity – you need a save the cat moment. A moment where the reader can see his innate decency.  It can be something he says or, more often, something he does. I’m particularly a fan of something nice he does for the heroine.

3. The heroine must be his equal – now, I’m not saying she needs to be a b*tch to his b*stard.  She may actually be a quiet kind of heroine. I think this depends on what he needs as a character. Does he need someone to stand up to him? Or does he really need someone who forces him to be gentle?  What can she teach him? I quite like the heroine who doesn’t get stroppy when he’s being an a-hole but kind of calms him like a horse-whisperer calming a wild stallion. Hehe. However you do it, she needs to be strong enough not to take his crap.

4. At some point he has to recogrnise his b*stardy – nothing is more annoying that a hero who behaves like an ass and gets away with it. Here is where you need your heroine to call him on it. Maybe not immediately because b*stards take time to wear down after all, but at some point he HAS to recognise when he’s being an ass.  And an apology is always nice.

5. Break him – this is the part I find most satisfying. The heroine must break him down, strip away the b*stard mask he’s hiding behind, and find the true hero he is underneath. Maisey Yates has done a fabulous post on black moments so go read it because what she says is so true. You cannot hold back when breaking these kind of heroes. The b*stard hero will hold on to his b*stardy till the bitter end. And that’s mainly because it’s the b*stards that have the deepest conflict. The most terrible of wounds. He’ll hold onto his secrets extremely hard because he’s SO terrified of confronting them. 

6. Give us an ending where he’s finally the hero he was always meant to be – mainly so we can see these guys have embraced the fact that they’re actually decent men and can now act like it.

So that’s my beginners guide to writing a b*stard. Anyone else got any great b*stard tips??